The Unconsciousness of the Landscape Becomes Complete

by Wayne Grim

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1.	continuation of morning, twilight and nightgames 01:07		buy track
2.	germinal, my sister, the hundred headless woman 02:36		buy track
3.	twenty-five positions 03:16	info	buy track
4.	the unconsciousness of the landscape becomes complete 02:48		buy track
5.	the sap rises (Rust no.16) 08:16		buy track
6.	Loplop the swallow returns 01:40		buy track
7.	his arm will be intoxiction, his bite will be fire 02:12		buy track
8.	the eternal father, his beard laced with continuous lightning 07:56		buy track
9.	but the waves are bitter (Arbor no.8) 03:45		buy track
10.	and images will descend to the ground 02:13		buy track
11.	his gaze will penetrate the debris of dried up cities 00:57		buy track
12.	stress & mutilation 03:41		buy track
13.	crime or miracle, a complete man 02:27		buy track
14.	perturbation, elevation, diminution 00:25		buy track
15.	obscure lessons 02:36		buy track
16.	Prometheus 04:16		buy track
17.	Three Colors 03:10		buy track

about

What started as a decade long idea of making a ‘solo guitar’ recording ended up being something very different. This album is built on Field recordings and born from the idea that abandoned buildings, forests or Pachinko parlors are equally beautiful and compelling sound stages. The result, the sound of life in Oakland, Denpasar, Tokyo, Hilo, Gulf Shores, and Detroit mixed with guitar improvisations. Most of the pieces on this album were inspired by the 1923 Graphic-collage novel by Max Ernst, ‘The Hundred Headless Woman’.

credits

released August 5, 2022

WG:
Electric Guitar, Guitar synthesizer, Contrabass, Computer and field recordings

Voice on Track 3, Majel Connery
Percussion on Track 9, Jon Brumit
Track 17, written by Charles Mingus

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about

Wayne Grim Richmond, California

Grim is an improviser, sound artist, and composer. His work with acoustic and electronic instruments and computers explores worlds between beauty and failure

His work spans a variety of areas, generative music, spontaneous composition, non-western musical techniques, improvisation, durational works, minimalism, noise, conceptual art, and the sonification of scientific phenomena. ... more

waynegrim.com

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