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eating whole villages he threw up from the bitter taste of concrete

by bLakcPullet Grimoire

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ZofoMusic
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ZofoMusic I love this album because when I'm writing, it defends me against outside distractions. It doesn't remind me of anything*.
Mark Andrews
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1.
Overture (repugnance) 04:59
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2.
Whitehorse and the tensile strength of clay 05:39
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3.
Dancer listening to organ music in a Gothic Cathedral 09:04
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4.
Offices of Hear 03:46
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5.
Fire g o i n g o u t 02:34
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6.
Internalnoctmission 04:28
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7.
Imjin the seven years war 05:29
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8.
Angels Caged 05:29
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9.
Ballad of the Dead Ladies 06:16
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10.
Emitted Obsoletely 04:37
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11.
Tripartite and alone 07:51
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12.
Templebar [Strange Lions] 05:12
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13.
Return-twenty-seven-dusted-filthy-tattered ships 07:56
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about

This is a remastered release.

San Francisco, CA February 14, 2010 -- Eating Whole Villages He Threw Up From The Bitter Taste Of Concrete.

bLackPullet Grimoire is a solo project by composer and sound artist Wayne Grim. At the heart of this work are the haunting voices of found tape, minimalist composition, rich layered textures and live experimental improvisation.

Eating… features electric guitar, custom-made electronic boxers, turntable, cassette tapes, bass, bass drum, Shakubyoshi (Japanese wooden clappers), laptop, and tape delays. The album was almost entirely recorded, edited and mixed in his Oakland Studio

“A trickling feast, a road trip, a web, an unfolding panorama, a journey studded with small, varied treasures, a visitation, a palette of flavors--some subtle and some bold--but all thoughtful. Precious, but not in the annoying way, in the generous way. Paternal, but not in the oppressive way, in the wise and kind way. A whole, square meal,.” Says artist Dia Felix.

credits

released January 14, 2010

Jon Brumit, Drums on track 11

license

all rights reserved

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about

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Wayne Grim Richmond, California

Grim is an improviser, sound artist, and composer. His work with acoustic and electronic instruments and computers explores worlds between beauty and failure

His work spans a variety of areas, generative music, spontaneous composition, non-western musical techniques, improvisation, durational works, minimalism, noise, conceptual art, and the sonification of scientific phenomena. ... more

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